Immortal Cities: Children Of The Nile Skidrow-Download
The spiritual successor to classics similar Caesar and Pharaoh, Immortal Cities: Children of the Nile is a city-edifice strategy game that casts players as Pharaoh and challenges them to construct a mighty empire in ancient Egypt. Players begin thousands of years ago, when the Valley of the Nile was populated by unproblematic gatherers and fishermen. With guidance and direction, these primitive people tin exist atomic number 82 to amazing accomplishments, and ultimately, to create World's showtime great civilisation.
Dissimilar the entertaining but fairly robotic citizens of the fondly remembered xImpressions Games, Immortal Cities' "Children of the Nile" are designed to behave as individuals, with their own unique wants, needs, and relationships to one another. They organize themselves by household, and the player is given multifaceted access to information nearly each family unit'southward particular deficits and desires. While Children of the Nile is more heavily dependant on the individual personalities of the populace than most earlier city-edifice games, the master means of providing for the needs of the people is notwithstanding through the buildings, services, and institutions that the player creates and manages.
Players showtime must provide the indigenous people with the basic means to settle down and farm the valley. Once they've tamed the lands, some farmers may determine to become craftspeople, if the right facilities and resources are available. Each new course of citizen develops on the foundations of the ones before it. Craftsmen lead to more educated citizens, and eventually the city may support an elite caste of nobles -- if it can supply the expensive and exotic luxury items on which such an upper class thrives. To proceeds "prestige," which functions as leadership capital in this game, players must nourish to the people's ever-more-sophisticated desires that evolve along with the society itself.
Children of the Nile incorporates an interesting twist on the urban center-building gamer's conventional function as an abstract, immortal leader. In a sense, Immortal Cities players take the role of an entire dynasty. Every bit each Pharaoh grows old and passes on, another may take his identify, but the ease of these transitions is based on the dynasty's level of prestige. A great and distinguished leader should have piddling trouble passing power on to the heir of his option, but the people may seek new leadership from other factions when a poorly perceived Pharaoh vacates his throne.
Immortal Cities: Children of the Nile is built on a version of Stainless Steel Studios' Empire Globe game engine, and features full 3D graphics. The game ships with editing tools, to permit players to create their own scenarios, or even complete campaigns. Tilted Factory development studio was founded by quondam members of the Impressions team.
In Impressions' classic game Pharaoh in that location was an unusual bug that actually made the game more fun. Occasionally a storage thou walker would get hung up in the streets, denying vital supplies to the rest of the city. Equally a result, the daisy-chained economy that began with farmers harvesting grain and ended with behemothic pyramids climbing toward the sky would come to a crashing halt. Despite being unintentional, though, the procedure of tracking downward and eliminating the source of the blockage was highly enjoyable, as was the result as your economic system kicked dorsum into gear and your city came back to life.
Tilted Manufactory, a new developer comprised of a number of Impressions refugees, must have thought so as well, since they managed to build a whole game around it. Unfortunately, what was a great part of an undeniable classic has go a pretty unstable foundation upon which to build Pharaoh's "spiritual sequel", Immortal Cities: Children of the Nile, a game that has a lot of fun buried underneath a lousy interface, a terrible information system, and an incompletely implemented gameplay model.
Hither's the deal. Children of the Nile is a city-building game built on the reverse of the premise that has blithe these types of titles since the days of the first SimCity. Rather than being built effectually the idea of a edifice spreading influence effectually, Children of the Nile is structured on its Sims-like citizens. Buildings by themselves exercise nothing. Instead your civilization grows and thrives when your citizens (each with their own proper name, task and relationship to other citizens) moves in and effort to fulfill their drives - acquiring a certain number of resources (food, dainty furniture, baskets, some jewelry and other domestic knick-knacks) by performing their jobs. The motor oil that makes this order's engine rev is bread - literal bread, cooked in bakeries - which is used as the game's currency. You lot as Pharaoh will receive the city's surplus bread in taxes which you can so use to fund ridiculously huge construction projects like pyramids, obelisks, bronze, and foreign conquests dedicated to your own glory. The more prestige yous larn, the more citizens you'll be able to back up and the greater your cities can go.
That's the adept news. As I mentioned earlier, the developers at Tilted Mill are by masters at creating this kind of daisy-chain economy, and their expertise doesn't fail them here. Having intelligent citizens get well-nigh their daily lives with purpose and intent is Children of the Nile'due south greatest strength. Once yous go your metropolis up and humming, I can safely say that no game ever fabricated gives the feeling of controlling a living city filled with flesh-and-blood citizens as well as Children of the Nile. The game is at its best when you're following your virtual Egyptians around, solving bug and tweaking your economy for maximum efficiency.
That is, in fact, a big portion of the gameplay, tracking your citizens equally they become through their daily lives and finding out why they're having problems. Is the overseer on your tomb not showing upwards for work? Perchance information technology'southward because his wife has to walk too far every day to go shopping and has dragooned him into helping. In that case, you should probably build a few shops closer to their dwelling house - which can lead to other problems that have to exist solved. Information technology's a never-catastrophe wheel quite familiar to city building fans, and it'due south a lot of fun.
Unfortunately, Children of the Nile's first-class micromanagement portion isn't balanced out by the balance of the game. Once you get above the level of economical tweaking, the cracks begin to show. Macro management - tweaking your city as a whole - is an enormous problem. Office of that is considering it's incredibly difficult to get a handle on exactly how well or how poorly your city is doing. The corporeality of macroeconomic information the game offers is miniscule. Children of the Nile desperately needs more data screens on various aspects of the city'southward economy and civic life. Tracking the mood of your citizens as a whole is impossible because the focus of the game is on tracking individuals.
One of the biggest examples of this is the fashion that the game treats faith. The ancient Egyptians were a very religious people who worshiped a lot of different gods. Approximately 20 of them are represented past shrines, temples and cult temples in the games and ane of the big things your citizens need to do during the mean solar day is satisfy their religious impulses. The Egyptian year is punctuated by festivals, holidays and rituals dedicated to specific gods and if your citizens tin can't fulfill them, they start getting upset. Unfortunately the game merely doesn't requite you lot the tools to track religious issues on a city-wide scale. If you click on the interface screen that tells you that there are "Moderate religious complaints citywide", icons appear to a higher place the houses that are unhappy. Unfortunately those icons don't tell yous exactly what the problem is, or exactly how angry the firm is, you'll have to click on the individual house for that. Have they missed one small ritual or were they unable to participate in a major holiday service for the city'due south patron god? More importantly, you tin't amalgamate that information to aid create the proper religious institutions that would aid alleviate large numbers of citizen's problems all at once.
Removing buildings influence on the surrounding environs also means that your cities aren't the beautiful well-organized things they usually are in these city-building games. While the game includes roads, landscaping and adornment tools, these things are free of charge and accept admittedly no impact on your citizens. Your Egyptians don't apply roads to reach their destinations, nor practice gardens or plazas make citizens feel whatever amend. As a result, players tend to focus on things that actually impact the game, rather than useless aesthetic improvements.
While the roads tin can be used to plan out building locations, what's the point? Buildings can get plopped downward anywhere, making cities look like a random mish-mash rather than the structured societies they're supposed to be. Considering travel time is a factor as well, buildings tend to get clustered together, leaving much of the country on the map open considering it's useless. The lack of edifice impact removes one of the near fun aspects of urban planning, land use management, the need to brand the most out of every foursquare foot.
The game's interface is as well really poorly constructed. Rather than offer a number of different informational screens attached to buttons as in nearly city building games, a lot of vital data (such as the contents of houses) come up as meta-text pop-ups when you movement the cursor over information technology. Without any indication that these informational pop-ups exist or how to get them, it's very piece of cake for players to become mystified at exactly what problems they're supposed to exist fixing. Fifty-fifty when you do know they're in that location, though, the interface is and then crowded that getting the popular-ups tin get an annoying game of "chase the pixel".
Going along with the basic theme of "poor city command", the game's interface lacks decent global summary or command screens. Sure educated workers such every bit overseers need to be micromanaged in order to exist effective (annoying in itself). Unfortunately there'southward no way to meet what my overseers or laborers (or anybody else) are all working on and brand global changes. If you're building big prestige-edifice statues for example, the overseer has to be first prepare to mine basalt blocks, so inverse to oversee construction to finish the project. In that location is a "Work on nearest site" setting, but in my experience, it doesn't work all that well, meaning the overseer seems to spend inordinate fourth dimension lounging around in his house eating MY staff of life.
Another instance is cargo drop-off zones where imported raw materials are left and so craftsmen can go them. The commands to select what gets dropped off in the zone are labeled by regional names - not resource. I can't express strongly enough how stupid that is. If you don't think that cedar wood comes from a specific place in Libya and characterization the zone correctly, your shipwright may end up trudging beyond half the city to selection upwards what he needs. The lack of big picture information makes the player feel incredibly afar from the urban center. All too often fixing and fine-tuning your city to work harmoniously is a thing of feel and guesswork more anything else.
Graphically the game is good, though not spectacular. Children of the Nile is built on the Empire Earth engine, which, though a little dated, excels at offering good views with lots of details from both loftier-in-the-sky down to insane shut-ups. The game's fine art direction is also good. Of course information technology'south hard to go wrong with ancient Egyptian buildings, which were some of the about beautiful structures ever created. Particular stand up-outs include the Pharaoh's palace with its murals and frescoes painted on the outside walls and the many dissimilar cyclopean statues that serve to beautify the city. The sound furnishings and music are good also, although the music is non so spectacular that you'd desire to mind to information technology for the many hours that a detail entrada mission would take.
In short, when taken as a whole, Children of the Nile is a disappointment. It's not that it's a bad game. In fact, buried under the rubble of the game'southward interface is the germ of a classic. Fifty-fifty after all is said and done, city-building fans will notice a lot to like in the game. Unfortunately incomplete implementation of an essentially good idea relegates Children of the Nile to the condition of merely "OK", not the classic I thought it was going to be when I commencement saw it. Lets hope that as the "Immortal Cities" line moves forrad, Chris Beatrice and his Tilted Manufacturing plant squad tin ultimately bring united states the crawly city edifice experience I know they're capable of.
People who downloaded Immortal Cities: Children of the Nile accept also downloaded:
Glory of the Roman Empire, Caesar IV, Heritage of Kings: The Settlers, Pharaoh and Cleopatra, Emperor: Rising of the Middle Kingdom, Purple Celebrity, Lord of the Rings, The: The Battle for Eye Earth II, Industry Giant two: Gold Edition
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